After the dedicated episode of Big Brother VIP dedicated to the case Mark Caltagirone and the alleged love affair with Pamela Prati, who is one of the tenants of the house, it was up to Veríssimo to return to the case. By the way, Silvia Toffanin invited to her studio Eliana Michelazzo, former showgirl agent and central figure in one of the most talked about gossip of recent years. In the channel 5 studio, Michelazzo tried to reconnect the threads of the whole story, reaffirming his innocence and ignorance and declaring himself a victim of a scam: “I consider myself more of a victim of Pamela, because I always defended her, I always defended her marriage and her love, I was her manager, that’s right, I believed in her. human level, she is 60 years old and if she is in difficulty you can help her They asked me to create the marriage and I made myself available”, says the woman who no longer listens to the showgirl: “For me Mark Caltagirone existed, I have the messages and I spoke to him, he wrote me the things to do to the wedding”.
A coup that lasted years
The consequences of that story are still alive today, moving from television studios to courtrooms, a story that has many faces, many versions, some that have changed over time, others that have remained more or less the same. But there is disbelief in the face of a story that at some point got out of someone’s control: “This coup lasted many years, there were so many witnesses […] this coup lasted many years, there were many witnesses, I think she initially entered this story… […] I didn’t doubt Mark, I’m not going to investigate whether he’s there or not, I have respect for a person his age.”
The Call of Caltagirone by Barbara d’Urso
Hence the accusation directed at Pamela Prati, who would be an accomplice in this case: “This paparazzi was created by the two Pamelas and walked around with their cell phones […] Pamela prati knew, she was consenting, no one put a gun on her, it’s been 5 episodes of Live where tempers were heating up and I panicked. I said do what you want but say that person exists, the call to Barbara D’urso (referring to the alleged Caltagirone call to Non è la D’Urso) I don’t know who he is, before getting into the episode I I get the first voice if the chords are not what they are I don’t make any phone calls I was there to be butchered but at that moment if you make a call it’s real then I hear that voice and when she called from barbara I I confirmed the voice”. Then Michelazzo continues:
With the phone call it was clear that he existed. almost every night they went out to dinner, they went to bingo together, they always went out, but what I say: it was always the two of them, I was a manager who didn’t know everything, who was building a marriage for them. I took her to make the dress, she took money from people, it’s not true that she didn’t take money, sponsors pay with a service like that, at Rai she gave an Iban, when the money arrived, the state took it, because you have a debt.
Silvia Toffanin also spoke about this and specified: “Even pay TV never came here for free”. Michelazzo says she is convinced of her lyrics: “For me Pamela got involved with this media thing, it was a hoax, then when she saw that the situation was getting out of hand… making her famous. So I would never stand in front of a person and say that I bring the kids to school even if it’s not true because kids are sacred Do you want to be the protagonist? Don’t talk about the kids Why don’t you name the scammers? Who was it? Who took his picture with you And how much money did this person take to do this and say nothing? Being said scammer, it hurts, I never hurt anyone, she took my money, destroyed to defend her love and her marriage”.
Pamela Prati’s complaint
The former Prati agent underlines that he has decided not to file a complaint against his client: “Pamela Prati denounced me for a scam, I didn’t do it, but I could for defamation. Initially I thought she was as much a victim as I was, I found out with this story, I got rid of a heavy story. You have to believe me and not Pamela, because I I worked things out, I was clean and I felt used. She says they hurt her, but she hurt me. In my opinion, when she was paparazzi, she had to do it.”
Last question, the one related to the child, who ended up at the center of this story in an instrumental way: “I talked to the mother of this child, who was an actor, they sent messages and he repeated it. I didn’t know he was an actor, even his mother said I didn’t know, when Hops met I thought he was Caltagirone’s son. Even there she believed this little boy was real, she really believed he was her son, otherwise it’s crazy.”
Source: Fan Page IT
Emma Fitzgerald is an accomplished political journalist and author at The Nation View. With a background in political science and international relations, she has a deep understanding of the political landscape and the forces that shape it.
