How the One Evil Dead Sequel and Harrison Ford’s Action Classic Revolutionized CGI, Explained by Visual Effects Artists

Visual effects artists are developing a lesser-known technique that allows filmmakers to create in-camera settings and worlds in films. Army of darkness AND the wanted. The final chapter of Sam Raimi’s original evil death The 1993 trilogy saw Bruce Campbell’s Ash Williams transported to a medieval kingdom to battle a legion of the dead. Meanwhile, Andrew Davis’ 1993 action thriller the wanted Surgeon Richard Kimble (Harrison Ford) is accused of murdering his wife and is chased across the country by U.S. Marshal Sam Gerard (Tommy Lee Jones).

In a new video, Corridor Crew explains how a piece of ’80s film technology, Introvision, could create volume-like effects in modern productions. It allowed the use of images and backgrounds in the camera through a kind of “Rear projection“, using custom Scotchlite screens and carefully angled beam splitters to create backgrounds and foreground objects in camera. This created sequences where Ford escaped a train collision and Ash had to deal with mini duplicates of Ash. The video below contains Corridor Crew’s full statement:

How loud is the successor to Introvision?

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While Army of darkness AND the wanted As insight created incredible effects, Hollywood soon began placing actors alongside digitally created characters in CGI environments, often using green screen. Since then, director of photography Greg Fraiser and ILM have helped develop the use of high-resolution LED screens to create backdrops that can display fantastic scenes in real time during filming. The once innovative technology called “The Volume” is now ubiquitous in many Hollywood productions including Batman, The Mandalorianand several Marvel productions.

Although ‘The Volume’ initially surprised viewers, it gradually became the subject of intense criticism. While technology can give actors and crew the ability to visualize digital environments as they work, many believe that factors such as lighting and practical elements are overlooked. However, Intovision’s incredible techniques helped Army of darkness AND the wanted The highlights showed that over time, manufacturing teams can find new ways to innovate, even in what may be familiar and mundane.

Although special effects have evolved since the 1980s, it’s hard to deny that the images you see in the wanted AND Army of darkness It is still standing. The volume may have helped speed up the process, but Insight’s effects are still visible in the amount of complex work required to create the scenes. As always, it’s fascinating to see how cinema has evolved and only time will tell what will come after The Volume.

Source: Brokerteam