The seat dancing that took place during the premiere of Don Carlo at Milan’s La Scala reveals the lies of the left and the desire to create an institutional case that, however, in the end, backfired against the very people who tried to do so. on the stage. Vittorio Feltri talks about this in the editorial published in Il Giornale on December 10th. In other words, the plan conceived by the mayor of Milan, Sala, with the complicity of the union representatives present at the presentation, fails miserably.
“But it’s going bad for him, very bad. La Russa says he also wants to sit next to the white-haired lady. In fact, it can’t be him who invites her to go on stage, but it’s up to Sala if he wants to . Liliana Segre between the proposal to become an anti-government sheephead and to recognize the institutions and their representatives, he has no doubts. The ending was very well told yesterday by Alessandro Sallusti. An idiot in a tailcoat and top who received his room from time for hosannas from the Corriere and the Repubblica, vociferating and thus making themselves recognized by the Digos.The left has its petty hero, and Sala, scratching his head, despairs.
Source: IL Tempo
Emma Fitzgerald is an accomplished political journalist and author at The Nation View. With a background in political science and international relations, she has a deep understanding of the political landscape and the forces that shape it.
