“One of the most important filmmakers in the history of Spanish cinema,” Saura, “died today at home surrounded by loved ones at the age of 91,” the Academy tweeted.
Born into an artistic family in Huesca, Aragón (Northeast) on January 4, 1932, Saura has shown “tireless activity” and “love of craft until the last moment” since her last film. talking wallsThe Academy said it was released in Spain last Friday.
The Academy even planned to honor him with a Goya award for his career at the Spanish film gala this Saturday in Seville (South).
The Academy later announced that the statuette was recently delivered to Saura at her home in the mountains of Madrid, adding that the Goya Festival will “commemorate the memory of an unrepeatable creator”.
“Indispensable work”
The sad reactions of this director, often quoted by the great names of Spanish cinema along with Luis Buñuel and Pedro Almodóvar, did not last long.
“With Carlos Saura, a very important part of the history of Spanish cinema dies. He leaves an indispensable trace for deep reflection on human behavior. Rest in peace my friend,” Spanish actor Antonio Banderas tweeted.
Prime Minister Socialist Pedro Sánchez described him on Twitter as a “fundamental figure of Spanish culture” and credited his “talent for memorable films such as: Oh Carmela everyone Cousin Angelica.
“National Cinematography Award 1980, her career has received all the accolades and most of all everyone’s love, appreciation and appreciation,” Culture Minister Miquel Iceta wrote on her social media page.
One of their daughters, Anna, shared a photo with her dad on Instagram and wrote, “Rest in peace, thank you so much.”
From poetry to documentary
manager brooding ravens An allegory of the dictatorship that suffocated his country until he won the jury prize at Cannes in 1975. Saura turned to social realism in the early years of his career and later opted above all for musical feature films.
Having produced a total of fifty films, Saura earned his first major international recognition with the Silver Bear for Best Director in Berlin in 1966. Hunt.
With a refined aesthetic and a lyrical to documentary style, Saura focused on society’s problems and losers, but after the end of Francisco Franco’s (1939-1975) dictatorship, she turned her camera to her other passion, music and dance.
This is how the flamenco trilogy was born in the 1980s: blood marriage (1981), Carmen (1983, with an Oscar nomination for best foreign language film) and love wizard (1986), with bailiff Antonio Gades.
He also invented love songs for tango or fado, Argentine folklore or jota, but especially flamenco, which he loved so much, and unfortunately became an ambassador of Spanish culture.
In any case, Saura said in an interview with AFP in 2016 that recognition in her country “comes with age” and that if she didn’t get the support she would get in her country, she would “just have made a movie”.
“It’s bad in Spain to do what one wants… the word success costs blood,” he said, recalling the sometimes harsh criticism his early films received.
Married several times and the father of several children, he had an affair with his muse Geraldine Chaplin and had a son with him.
AFP
Source: Ultimahora
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I’m George Gonzalez, a professional journalist and author at The Nation View. With more than 5 years of experience in the field, I specialize in covering sports news for various print media outlets. My passion for writing has enabled me to craft stories that capture the attention of readers all over the world.
