“I don’t think it’s like a regular horror movie or ‘The Exorcist,’ it’s more complicated because it preserves real events,” says Oscar-winning Crowe, directed by Julius Avery (Samaritan). The figure of the man who is the world’s most famous exorcist.
A film inspired by the real archives of Father Amorth, who was appointed official exorcist of the Diocese of Rome in 1986 and founded the International Association of Exorcists (AIE) in 1990.
Amorth was also known for his controversial statements. Peter’s Square in the Vatican, performing an exorcism to exorcise a demonized girl, or Pope XVI. He claimed there were attacks on Benedict. He was “advised” by Satan on the affairs of pedophile priests.
During his years as an exorcist, Amorth performed more than 70,000 exorcisms, as he repeatedly claimed. A career he has documented in his books, documentaries and memoirs.
Crowe, credited with the lead role Gladiator (2000) now turns into Amorth in a film that combines fiction with some of the Italian father’s testimonials during his years as Rome’s official exorcist.
“I didn’t know the character of Amorth until I got this project,” says Crowe, who read two of Amorth’s works in preparation for the character. “I went to Rome and talked to a lot of people, documented myself,” the actor says of his approach to the character.
“One of the things you have to look for when making films like this is to understand the information objectively, without neglecting the script,” Crowe tells the film’s EFE, which balances the iconography of real-life testimonials. brings. Comes with exorcism.
In the film, Father Amorth travels to Spain to fire a possessed boy. There he discovers a secret conspiracy that has been associated with the devil for centuries. “There are many elements in the film that I can touch on. Indiana Jones youI have a da Vinci codeso I don’t think it’s a normal horror movie, it’s pretentious.”
“I think I quickly understood Amorth’s personality to fit it into the movie,” says Crowe, noting that the priest is an “important” kind of character, “interesting not just because of his job, but because of his own personality.” .” understand to display”.
For Crowe, the most surprising thing about the project is that “the Vatican discovers it has its own archive of exorcisms,” an “unknown” reality, and the film is interrupted by some exorcism scenes; from levitation to throwing up objects to self-harm and expressions in dead languages.
“Maybe the story isn’t as action-packed as I’d like it to be, but the most important thing is to respect the real elements that Amorth experiences,” says Crowe, who describes the film as “deep and enigmatic” thanks to the senses. In fact, it’s part of the truth.
Source: Ultimahora
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I’m George Gonzalez, a professional journalist and author at The Nation View. With more than 5 years of experience in the field, I specialize in covering sports news for various print media outlets. My passion for writing has enabled me to craft stories that capture the attention of readers all over the world.
