The concert stage titled “Symphonic Praise to Gustavo Cerati + Soda Stereo by OSCA” spread with great anticipation to the general public as they prepared to enter the hall of the Ignacio A. Pane Municipal Theater on the 14th Thursday evening. . A symphonic proposal with a touch of pop and rock that has delighted the followers of the successful Argentine band and the charismatic Argentine who died in 2014 from the very beginning.
Singer Óscar Fernández and guitarist Rolando Insfrán.
Teenagers and adults, adolescents and over-40s naturally mingled in the capital’s premier artistic colosseum, in a tribute from the Asunción Symphony and Chamber Musicians Union (Simusica) for nearly three decades since the legendary band’s last presentation in Paraguay. the 80’s
An interesting selection of Soda’s hits and the solo career of its charismatic leader and singer were all part of the compelling concert that featured simplicity as well as the finely tuned, clean and versatile voice of both the Asunción Symphony Orchestra (OSCA) and singer Óscar. Fernandez. , which connected him to the public. On this occasion, the orchestral group received the support of the Soda Stereo Tribute Band and the Ypacarai Municipal Orchestra.

Orchestra members and invited musicians rejoiced at the concert.
“When the shaking is over” he lit the wick in the middle of the seats. The “bang” and the buzz would come with “Persiana Americana” and “En la ciudad de la furia”, followed by the powerful “Música Ligera”, with which they would unsuccessfully try to close the show. People wanted more.
The show’s tour included “Trátame suavemente”, “Crimen”, “Adiós” and other creations by the Argentine composer.
OSCA was solid and neat and handled power tools, their distortions and riffs very well, which more than once pleased the attendees.

Many people accompanied the concert with applause and songs.
Rock guitarist Rolando Insfrán showed astonishing virtuosity; Guest conductors José Miguel Echeverría and Miguel Ángel Sosa accompanied the moderate and light symphonic arrangements that paid homage to Cerati’s dissonances.
The standing ovation, the whole room singing the Soda classics, the emotions reflected on the faces and the “rhythmic jump” between the seats of the great theater were part of a quality show that was recognized and appreciated by the audience. popular “otra, otra!” any attempt to fire artists.

That evening, the congregation was equally “filled” with Gustavo Cerati, with his singing, with his melancholy, with his desire to be happy, with his loneliness. That night, people again remembered and admired him, and maybe someone raised a round of applause or a tearful prayer for his restless soul. “There are gaps that cannot be filled,” he said in the song “Adiós”.
Source: Ultimahora
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I’m George Gonzalez, a professional journalist and author at The Nation View. With more than 5 years of experience in the field, I specialize in covering sports news for various print media outlets. My passion for writing has enabled me to craft stories that capture the attention of readers all over the world.